Saturday, July 31, 2010
Addressing website audiences
It also reminds me of the kinds of things clients have wanted on their opening pages for elearning projects: statements of purpose, information about the genesis of the project, almost-vacuous statements about what this elearning project will do for you. The latter I really doubt as being useful since people will end up on the page because they've been told to, or because they know what advantage it will provide.
At the same time that I take the point the illustration is making, that there's a kind of generic expectation of websites that their first pages will be filled with this kind of fluff. And it makes a certain kind of sense, just like the acknowledgments page is often the first one in a book, but of limited interest to many readers (or the copyright page for that matter).
Besides, how would one fit all of those things in the right-hand circle that people are looking for on to one page? The difference between the right-hand circle and the left, is that the left is written for a generic kind of reader - an ideal one - who doesn't really exist (or if they do, it's only a few individuals who are looking for this information). Actually, as a job seeker, those statements of purpose can be very handy for getting a grip on what the university thinks of itself and what kind of teaching will take place there, so perhaps the information in the left-hand circle really is more useful than the illustration implies.
But the problem with making the information on the right-hand circle the primary page is that it addresses at least three different audiences: staff and faculty of the school, students at the school, and outside parties interested in attending/visiting the school. That's a lot of audiences for one page to address and address effectively.
The way webpages are conventionally set up, there's a large space near the middle, intended to address the audience interested in the page. But when you've got several audiences, which one would you privilege? This is why those primary pages often include navigation that separates users into functions, i.e. "for students" "for alumni" "for faculty" etc. in order to then address that audience and only that audience in that next level of webpage.
So I take the point of the illustration that much of what's on the left-hand side of it is information few are interested in. But given the number of different users of a university website, it seems that such general pages are by default the best use of the first page.
Wednesday, July 28, 2010
Empty
It's odd. I realize that objectively, the house is not really changed since her departure. Yes, she took a couple of small pieces of furniture and her personal items with her. But my sense of the house being empty is more subjective. I realize there are no children in house anymore and they won't be living with me again.
They visit. In fact, two called on Monday to say they wanted to come over, so we had dinner together (the third was out during the day and too tired to come by, or everyone would've been here). That spontaneous get together was nice. But it also reinforced that they are gone. At the end of the night, they both left for their own homes.
Some days I don't notice it. But on others, I feel like a ping pong ball, bouncing around inside the shell of the house.
Monday, July 19, 2010
Archive Fever
Mark Currie, About Time: Narrative, Fiction, and the Philosophy of Time
Saturday, July 17, 2010
The Masterworks Meme
II - The Left Hand of Darkness - Ursula K. Le Guin
III - The Man in the High Castle - Philip K. Dick
IV - The Stars My Destination - Alfred Bester
V - A Canticle for Leibowitz - Walter M. Miller, Jr.
VI - Childhood's End - Arthur C. Clarke
VII - The Moon Is a Harsh Mistress - Robert A. Heinlein
VIII - Ringworld - Larry Niven
IX - The Forever War - Joe Haldeman
X - The Day of the Triffids - John Wyndham
1 - The Forever War - Joe Haldeman
2 - I Am Legend - Richard Matheson
3 - Cities in Flight - James Blish
4 - Do Androids Dream of Electric Sheep? - Philip K. Dick
5 - The Stars My Destination - Alfred Bester
6 - Babel-17 - Samuel R. Delany
7 - Lord of Light - Roger Zelazny
8 - The Fifth Head of Cerberus - Gene Wolfe
9 - Gateway - Frederik Pohl
10 - The Rediscovery of Man - Cordwainer Smith
11 - Last and First Men - Olaf Stapledon
12 - Earth Abides - George R. Stewart
13 - Martian Time-Slip - Philip K. Dick
14 - The Demolished Man - Alfred Bester
15 - Stand on
16 - The Dispossessed - Ursula K. Le Guin
17 - The Drowned World - J. G. Ballard
18 - The Sirens of Titan - Kurt Vonnegut
19 - Emphyrio - Jack Vance
20 - A Scanner Darkly - Philip K. Dick
21 - Star Maker - Olaf Stapledon
22 - Behold the Man - Michael Moorcock
23 - The Book of Skulls - Robert Silverberg
24 - The Time Machine and The War of the Worlds - H. G. Wells
25 - Flowers for Algernon - Daniel Keyes
26 - Ubik - Philip K. Dick
27 - Timescape - Gregory Benford
28 - More Than Human - Theodore Sturgeon
29 - Man Plus - Frederik Pohl
30 - A Case of Conscience - James Blish
31 - The Centauri Device - M. John Harrison
32 - Dr. Bloodmoney - Philip K. Dick
33 - Non-Stop - Brian Aldiss
34 - The Fountains of
35 - Pavane - Keith Roberts
36 - Now Wait for Last Year - Philip K. Dick
37 - Nova - Samuel R. Delany
38 - The First Men in the Moon - H. G. Wells
39 - The City and the Stars - Arthur C. Clarke
40 - Blood Music - Greg Bear
41 - Jem - Frederik Pohl
42 - Bring the Jubilee - Ward Moore
43 - VALIS - Philip K. Dick
44 - The Lathe of Heaven - Ursula K. Le Guin
45 - The Complete Roderick - John Sladek
46 - Flow My Tears, the Policeman Said - Philip K. Dick
47 - The Invisible Man - H. G. Wells
48 - Grass - Sheri S. Tepper
49 - A Fall of Moondust - Arthur C. Clarke
50 - Eon - Greg Bear
51 - The Shrinking Man - Richard Matheson
52 - The Three Stigmata of Palmer Eldritch - Philip K. Dick
53 - The Dancers at the End of Time - Michael Moorcock
54 - The Space Merchants - Frederik Pohl and Cyril M. Kornbluth
55 - Time Out of Joint - Philip K. Dick
56 - Downward to the Earth - Robert Silverberg
57 - The Simulacra - Philip K. Dick
58 - The Penultimate Truth - Philip K. Dick
59 - Dying Inside - Robert Silverberg
60 - Ringworld - Larry Niven
61 - The
62 -
63 - A Maze of Death - Philip K. Dick
64 - Tau Zero - Poul Anderson
65 - Rendezvous with Rama - Arthur C. Clarke
66 - Life During Wartime - Lucius Shepard
67 - Where Late the Sweet Birds Sang - Kate Wilhelm
68 - Roadside Picnic - Arkady and Boris Strugatsky
69 - Dark Benediction - Walter M. Miller, Jr.
70 - Mockingbird - Walter Tevis
71 - Dune - Frank Herbert
72 - The Moon Is a Harsh Mistress - Robert A. Heinlein
73 - The Man in the
74 - Inverted World - Christopher Priest
75 - Kurt Vonnegut - Cat's Cradle
76 - H.G. Wells - The
77 - Arthur C. Clarke - Childhood's End
78 - H.G. Wells - The Time Machine
79 - Samuel R. Delany - Dhalgren
80 - Brian Aldiss - Helliconia
81 - H.G. Wells - Food of the Gods
82 - Jack Finney - The Body Snatchers
83 - Joanna Russ - The Female Man
84 - M.J. Engh - Arslan
Since I've begun to read science fiction again, it seemed appropriate to play along and wonder about how many of these I'd read, owned, and have yet to read. Not bad.
Thursday, July 15, 2010
Peripatetic estrangement
I won't argue that time in another country is not valuable. It certainly helps to remind you that there is indeed more than one way of doing things and whether the cultural differences you encounter are only mildly odd or downright baffling in their strangeness, they can be enlightening.
[Having read that last sentence, you'll notice that I used the word "can" rather than "are" since in this age of all-inclusive resorts and whirlwind Europe-in-a-week (complete with tour guide) travel options, one can remain blissfully unaware of those differences if one so desires]
But there's also an estrangement that happens when you return home. I know my parents spoke of the "reverse culture shock" they experienced when we returned from our two year stint in Brasil. Since I was young, I certainly noticed differences (though the things I noticed were no doubt very different than the ones my parents did), but for the most part, there was little "shock" in them.
When we returned from living in the U.S., I certainly noticed cultural differences, particularly in the media and in accents, but even traveling to the Caribbean last year or Europe, there was a moment - when I first got into my own car actually - when I felt estranged from my own culture. Most of that seemed to be centered on the enormous size of our vehicles here, which seemed bloated and bullyish as I navigated streets near my home.
But there's also a sense of a shifting pace that contributes to that estrangement as you move from the pleasure- and transport-centered activities of travel, to the more circumscribed and sedentary activities of work and house maintenance. The vivid everyday activities of the other country are slowly replaced by the mundane and repetitive sameness of the same city, job, and house as you slip back into the ordinary. It's not a bad thing, just a strangely transitional place to be.
Wednesday, July 14, 2010
Placeholder
Yes, it's a touch pathetic and pedestrian. But such is life.
More anon.