Saturday, July 31, 2010

Addressing website audiences

Gearing up for the fall semester and the job hunt, which means cruising university websites on a regular basis, this illustration seems absolutely appropriate:



It also reminds me of the kinds of things clients have wanted on their opening pages for elearning projects: statements of purpose, information about the genesis of the project, almost-vacuous statements about what this elearning project will do for you. The latter I really doubt as being useful since people will end up on the page because they've been told to, or because they know what advantage it will provide.

At the same time that I take the point the illustration is making, that there's a kind of generic expectation of websites that their first pages will be filled with this kind of fluff. And it makes a certain kind of sense, just like the acknowledgments page is often the first one in a book, but of limited interest to many readers (or the copyright page for that matter).

Besides, how would one fit all of those things in the right-hand circle that people are looking for on to one page? The difference between the right-hand circle and the left, is that the left is written for a generic kind of reader - an ideal one - who doesn't really exist (or if they do, it's only a few individuals who are looking for this information). Actually, as a job seeker, those statements of purpose can be very handy for getting a grip on what the university thinks of itself and what kind of teaching will take place there, so perhaps the information in the left-hand circle really is more useful than the illustration implies.

But the problem with making the information on the right-hand circle the primary page is that it addresses at least three different audiences: staff and faculty of the school, students at the school, and outside parties interested in attending/visiting the school. That's a lot of audiences for one page to address and address effectively.

The way webpages are conventionally set up, there's a large space near the middle, intended to address the audience interested in the page. But when you've got several audiences, which one would you privilege? This is why those primary pages often include navigation that separates users into functions, i.e. "for students" "for alumni" "for faculty" etc. in order to then address that audience and only that audience in that next level of webpage.

So I take the point of the illustration that much of what's on the left-hand side of it is information few are interested in. But given the number of different users of a university website, it seems that such general pages are by default the best use of the first page.

Wednesday, July 28, 2010

Empty

My house is feeling quite empty these days. It has been moving toward that state for a while, but more so this last week after youngest daughter moved out.

It's odd. I realize that objectively, the house is not really changed since her departure. Yes, she took a couple of small pieces of furniture and her personal items with her. But my sense of the house being empty is more subjective. I realize there are no children in house anymore and they won't be living with me again.

They visit. In fact, two called on Monday to say they wanted to come over, so we had dinner together (the third was out during the day and too tired to come by, or everyone would've been here). That spontaneous get together was nice. But it also reinforced that they are gone. At the end of the night, they both left for their own homes.

Some days I don't notice it. But on others, I feel like a ping pong ball, bouncing around inside the shell of the house.

Monday, July 19, 2010

Archive Fever

"Contemporary culture is increasingly conscious of its own present as the object of a future memory"
Mark Currie, About Time: Narrative, Fiction, and the Philosophy of Time

Saturday, July 17, 2010

The Masterworks Meme

The Masterworks Meme, from The Speculative Scotsman via The World in a Satin Bagcharts some of the must reads of a science fiction education. So. In bold, the books I've read. The books I own but haven't yet read are italicised.

NB: Some of the SF Masterworks were released in a line of special hardcovers - denoted by roman numerals - as well as the paperbacks we all own a few of, so there are a few duplicates in the list.

I - Dune - Frank Herbert
II - The Left Hand of Darkness - Ursula K. Le Guin
III - The Man in the High Castle - Philip K. Dick
IV - The Stars My Destination - Alfred Bester
V - A Canticle for Leibowitz - Walter M. Miller, Jr.

VI - Childhood's End - Arthur C. Clarke

VII - The Moon Is a Harsh Mistress - Robert A. Heinlein

VIII - Ringworld - Larry Niven

IX - The Forever War - Joe Haldeman

X - The Day of the Triffids - John Wyndham

1 - The Forever War - Joe Haldeman

2 - I Am Legend - Richard Matheson

3 - Cities in Flight - James Blish

4 - Do Androids Dream of Electric Sheep? - Philip K. Dick

5 - The Stars My Destination - Alfred Bester

6 - Babel-17 - Samuel R. Delany

7 - Lord of Light - Roger Zelazny

8 - The Fifth Head of Cerberus - Gene Wolfe

9 - Gateway - Frederik Pohl

10 - The Rediscovery of Man - Cordwainer Smith

11 - Last and First Men - Olaf Stapledon

12 - Earth Abides - George R. Stewart

13 - Martian Time-Slip - Philip K. Dick

14 - The Demolished Man - Alfred Bester

15 - Stand on Zanzibar - John Brunner

16 - The Dispossessed - Ursula K. Le Guin

17 - The Drowned World - J. G. Ballard

18 - The Sirens of Titan - Kurt Vonnegut

19 - Emphyrio - Jack Vance

20 - A Scanner Darkly - Philip K. Dick

21 - Star Maker - Olaf Stapledon

22 - Behold the Man - Michael Moorcock

23 - The Book of Skulls - Robert Silverberg

24 - The Time Machine and The War of the Worlds - H. G. Wells

25 - Flowers for Algernon - Daniel Keyes

26 - Ubik - Philip K. Dick

27 - Timescape - Gregory Benford

28 - More Than Human - Theodore Sturgeon

29 - Man Plus - Frederik Pohl

30 - A Case of Conscience - James Blish

31 - The Centauri Device - M. John Harrison

32 - Dr. Bloodmoney - Philip K. Dick

33 - Non-Stop - Brian Aldiss

34 - The Fountains of Paradise - Arthur C. Clarke

35 - Pavane - Keith Roberts

36 - Now Wait for Last Year - Philip K. Dick

37 - Nova - Samuel R. Delany

38 - The First Men in the Moon - H. G. Wells

39 - The City and the Stars - Arthur C. Clarke

40 - Blood Music - Greg Bear

41 - Jem - Frederik Pohl

42 - Bring the Jubilee - Ward Moore

43 - VALIS - Philip K. Dick

44 - The Lathe of Heaven - Ursula K. Le Guin

45 - The Complete Roderick - John Sladek

46 - Flow My Tears, the Policeman Said - Philip K. Dick

47 - The Invisible Man - H. G. Wells

48 - Grass - Sheri S. Tepper

49 - A Fall of Moondust - Arthur C. Clarke

50 - Eon - Greg Bear

51 - The Shrinking Man - Richard Matheson

52 - The Three Stigmata of Palmer Eldritch - Philip K. Dick

53 - The Dancers at the End of Time - Michael Moorcock

54 - The Space Merchants - Frederik Pohl and Cyril M. Kornbluth

55 - Time Out of Joint - Philip K. Dick

56 - Downward to the Earth - Robert Silverberg

57 - The Simulacra - Philip K. Dick

58 - The Penultimate Truth - Philip K. Dick

59 - Dying Inside - Robert Silverberg

60 - Ringworld - Larry Niven

61 - The Child Garden - Geoff Ryman*

62 - Mission of Gravity - Hal Clement

63 - A Maze of Death - Philip K. Dick

64 - Tau Zero - Poul Anderson

65 - Rendezvous with Rama - Arthur C. Clarke

66 - Life During Wartime - Lucius Shepard

67 - Where Late the Sweet Birds Sang - Kate Wilhelm

68 - Roadside Picnic - Arkady and Boris Strugatsky

69 - Dark Benediction - Walter M. Miller, Jr.

70 - Mockingbird - Walter Tevis

71 - Dune - Frank Herbert

72 - The Moon Is a Harsh Mistress - Robert A. Heinlein

73 - The Man in the High Castle - Philip K. Dick

74 - Inverted World - Christopher Priest

75 - Kurt Vonnegut - Cat's Cradle

76 - H.G. Wells - The Island of Dr. Moreau

77 - Arthur C. Clarke - Childhood's End

78 - H.G. Wells - The Time Machine

79 - Samuel R. Delany - Dhalgren

80 - Brian Aldiss - Helliconia

81 - H.G. Wells - Food of the Gods

82 - Jack Finney - The Body Snatchers

83 - Joanna Russ - The Female Man

84 - M.J. Engh - Arslan


*I'm in the process of reading this one, but just about finished

Since I've begun to read science fiction again, it seemed appropriate to play along and wonder about how many of these I'd read, owned, and have yet to read. Not bad.

Thursday, July 15, 2010

Peripatetic estrangement

One of the civilizing effects of travel is often thought to be the exposure to different cultures in order to develop an appreciation for the global and realization that the local is, well, indeed, local, and not the only way to skin a cat, so to speak. Hence, the Grand Tour that the gentrified encouraged their (male) progeny to embark upon before settling down to run their estates, or the updated "year off" or "year abroad" backpacking through Europe that is supposed to perform a similar function for the more nouveau gentrified classes in North America.

I won't argue that time in another country is not valuable. It certainly helps to remind you that there is indeed more than one way of doing things and whether the cultural differences you encounter are only mildly odd or downright baffling in their strangeness, they can be enlightening.

[Having read that last sentence, you'll notice that I used the word "can" rather than "are" since in this age of all-inclusive resorts and whirlwind Europe-in-a-week (complete with tour guide) travel options, one can remain blissfully unaware of those differences if one so desires]

But there's also an estrangement that happens when you return home. I know my parents spoke of the "reverse culture shock" they experienced when we returned from our two year stint in Brasil. Since I was young, I certainly noticed differences (though the things I noticed were no doubt very different than the ones my parents did), but for the most part, there was little "shock" in them.

When we returned from living in the U.S., I certainly noticed cultural differences, particularly in the media and in accents, but even traveling to the Caribbean last year or Europe, there was a moment - when I first got into my own car actually - when I felt estranged from my own culture. Most of that seemed to be centered on the enormous size of our vehicles here, which seemed bloated and bullyish as I navigated streets near my home.

But there's also a sense of a shifting pace that contributes to that estrangement as you move from the pleasure- and transport-centered activities of travel, to the more circumscribed and sedentary activities of work and house maintenance. The vivid everyday activities of the other country are slowly replaced by the mundane and repetitive sameness of the same city, job, and house as you slip back into the ordinary. It's not a bad thing, just a strangely transitional place to be.

Wednesday, July 14, 2010

Placeholder

First google decided I was some kind of spammer and blocked me out of all my accounts. Then I left for vacation. That's my explanation for the radio silence.

Yes, it's a touch pathetic and pedestrian. But such is life.

More anon.